Review: ‘Colossal’ (2016)

Sometimes small actions create big ripples.

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Colossal is completely self-aware of the classic monster-movie format. It is humorously self-parodying, but wisely does not mock the genre. Instead, it chooses to redefine it. This time, audiences are not faced with a vengeful beast seeking to destroy a city, but rather a displaced giant unintentionally wreaking havoc. The giant is also, surprisingly, an unemployed train-wreck called Gloria (Anne Hathaway) – and what better way to humanise a monster than to literally render it as a person?

The film has an interesting definition of what it means to be hard-up – Gloria miserably wanders around a dilapidated-yet-impressive looking mansion, complete with a swimming pool – while Elizabeth Cotten’s ‘Shake Sugaree’ plays unironically. Apart from this somewhat odd presentation of poverty, Hathaway is a believable alcoholic, complete with her slurred speech and washed-up appearance. There are a bundle of laughs to be had, mostly at her expense as she staggers hopelessly through each day, until a drunken display of bravado at the park turns tragic.

Tonally, Colossal manages to glide effortlessly from fun monster-rampage to sombre verisimilitude. Time is deftly telescoped, manifesting itself as changes in Gloria’s environment and attitude. This is a tale split between two worlds, each with an array of parallel consequences stemming from the same problem – an inability to take responsibility for one’s actions. When Gloria does hold herself (and others) accountable, it is powerful, freeing and refreshingly feminist. For a film that supposedly revolves around a terrifying behemoth, Colossal stays sensibly grounded in the lives of its human protagonist. This is a film that knows people are much larger than giants – and more interesting, too.

Author: Faith Everard

Faith Everard is a writer, a student of film and a keen cinephile. She is currently undertaking a Bachelor of Arts at the University of Melbourne. She is also the podcast producer for the film criticism show 'Plato's Cave' on 3RRR (102.7 FM) weekly, and has written for numerous publications.

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